Dahlia and Myrtle are back!


As you may have noticed, we ran into a bit of a problem with Dahlia – we sold out of the pattern in about a week. Yikes.

The good news is that we were able to put in a rush order and now have lots more in the shop!

We’ve also received a restock on Myrtle, if you’ve been awaiting that one.

And remember, we now have new lower shipping prices too!

Pick up Dahlia in our shop >

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Denver folks! Join me and Alyson at Fancy Tiger on Thursday!

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If you are in Denver, come hang out with us this Thursday at Fancy Tiger!

Alyson and I are in town and would love to hang out with you. This is an informal meet & greet where we’ll be chatting, hanging out, signing books if you want. And you can get 10% off Colette patterns (15% if you wear a Colette garment)!

We can’t wait to see you!

Get more details and RSVP on the FB event page >


Weekend Reading: Custom jeans, vintage sewing films, and weekend listening


We’ve quickly slipped from a lovely mid-Autumn into the depths of winter this week. I’m looking forward to curling up under a blanket all weekend before our trip next week to somewhere even colder – Denver!

I’m adding a new section to my weekend reading posts for things I’ve listened to and recommend. Given that sewing is something many of us do with headphones on, I thought perhaps some of you podcastophiles out there might enjoy some of these selections.

Weekend Reading:

Weekend Listening:

For more links every week, you can follow me on Twitter, where I’m always posting interesting tidbits I find.

image above via colettepatterns on instagram


How to sew a couched edge finish


The other day, I was perusing the Bernina blog and came across a tutorial for an edge finish technique I’d never tried before – a couched edge using cord.

Susan over at We All Sew demonstrates this technique for craft and decorative projects such as book covers and wall hangings, but I wondered how it would look on a garment. It seemed like a fast and interesting alternative to piping, and one you could apply even after a garment is finished.

Basically, to do this, a purchased cord is sewn directly to the edge of a garment using a zigzag stitch.



For this technique, you use the #12 Bulky Overlock foot. I highly recommend this foot, not just for couching like this, but also for installing piping. It’s perfect, much nicer than a piping foot in my experience.

You’ll also need some cord. Bernina recommends 4-6mm cord.


The cord is sewn to the edge using a zigzag stitch. It can be attached to a finished edge (like this), or sewn on top of a raw edge, though that would be easiest with non-fraying fabrics.


I backstitched over the end of the cord to keep it from unraveling as I began stitching.

Ideally, you’d add the cording to an edge before sewing the seams, so that the edge of the cord is caught in the seam. But that won’t always work, in which case it can be sewn in the round, tucking the edges underneath at the start/end point.


I think this technique would look really cool on a nautical-inspired garment. You could even use additional cording to create some surface details, by sewing it on top of the garment in rows or patterns.

You can read the full instructions on this edge finish over at We All Sew >

This post presented in partnership with Bernina, one of our sponsors this month. You can find more handy tutorials using incredible Bernina equipment at their blog, We All Sew, where I found this technique.


What trips you up every single time?


I have a sewing achilles heel. What about you?

I don’t know why, but the same blind spot pops up over and over. It seems to be some sort of mental block that I just can’t overcome: I keep cutting things upside down.

See, I’m a fast cutter. It’s never been my favorite part of the sewing process, so I tend to whiz through it pretty fast. I’ll put on my headphones, get out the old rotary, and glide right through. I never pay attention to cutting layouts, since they’re usually imperfect.

It’s only after I cut that I seem to remember that some fabrics have directionality.

(In other words, some prints can’t be cut upside down or they look, well… upside down.)

The worst example I recall was this Negroni I made for Kenn in this wonderful (and expensive) Liberty print. I was taking so much care to match up the print exactly right along the front, and even on the pockets. I mean, look at those pockets:


The moment I finished cutting, I realized that I had cut the back yoke upside down. Even when I’m paying attention I cut upside down.

Luckily, I had enough fabric to fix my mistake, but it definitely wasn’t the last time I did it. Thankfully, I’ve always managed to fix my mistakes somehow.

Who knows? Maybe writing about it like this will finally get it through my skull to check for direction before I cut.

Do you have any issues that constantly trip you up when you sew? What’s your achilles heel and how do you fight it?